Tag Archives: The Big Issue

Marley revisited in South Africa

Music bridges gaps, enlightens and aspires, especially the music of reggae legend Robert Nesta Marley. To bring his world renewed music to South Africa, RootsRiders (hailing from the Netherlands) came to visit South Africa. Formed in 2006, they developed their now world famous Tribute2BobMarley. This exciting concert and theatre-show honoring the talent of the king of reggae has been performed by the group all over the world, including African countries like South Africa, Swaziland, Zanzibar, Cape Verde and most recently in Tanzania.

RootsRiders is a collective of upcoming urban artists, often collaborating with local artists and recording tracks wherever they can. For their upcoming album – RootsRiders in Africa: Songs of Redemption, Volume 2 -, which will be released in September, the group has even included a gospel track that was recorded last year in Ladysmith and Kwa Mashu. The current line-up of the band includes Giovanca, Shirma Rouse, Tjerk, Junior, Jay Colin and Darin G. The Big Issue spoke with the latter, 26-year-old beatmaker and producer of the workshops Darin G., to find out what connects RootsRiders to South Africa.

What brought RootsRiders to Africa in the first place?

“At first our performances as Tribute2BobMarley, in order to spread the message of love and peace. But our manager arranged some music workshops for about 20 kids in Dar es Salaam, Tanzania. We taught them how to play an instrument – our instruments – but figured out they didn’t have any instruments themselves. Therefore we started the project Instruments4Africa, were we encourage people in The Netherlands to bring their old instruments to one of our shows in order for us to bring them to Africa.”

Is that the reason you keep on coming back to Africa?

“Next to the workshops we resemble the spirit of Bob Marley, which is stronger in Africa than in other continent in the world. We, as RootsRiders, got addicted to the African vibe en get a lot of love and hope out of our shows here. We feel that the presence and influence of Bob is way stronger here than in Europe and therefore we keep on coming back here.”

Are there more African countries you still want to visit?

“Of course Ethiopia (the chosen land of the Rastafari) would be the best place to perform and spread the Marley feeling. According to our manager it’s on the agenda. But I would personally really want to perform in Cape Town as well, in a place like Zula’s. Although the city doesn’t give me the real ‘African feeling’, I can sense that the vibe is good. But first we will first visit Tanzania and Zanzibar again.”

What is planned for this visit to South Africa?

“Well, our agenda is completely filled up until the very last minute. First we have to appear on the SABC talkshow ‘Morning Live’ and after that we immediately have to leave for Swaziland to give a workshop in an orphanage. The rest of the time is filled with 8 concerts in 8 days, so there is no space for relaxation.”

A reggae band without relaxation?

“Maybe that’s the big difference between us and a real Jamaican reggae band; we don’t posses that real reggae lifestyle. Every member of RootsRiders originates from a different country: Curacao (myself), Argentina, Colombia, Finland, The Netherlands, Sweden, Germany, Aruba and French Guinea. So we are a very diverse company indeed.”

What’s the reason you record songs with local artists?

“Local artists, especially African artists, give us a different view on African subjects. They show us the positive, optimistic side of Africa, like you can hear in our new song ‘(Africa Is) So Much More’ which we recorded with the local Tanzanian artist P-Funk. After touring in Africa we are not naïve, but remain positive and our music reflects this. We prefer to emphasize the potential we’ve come across rather than to confirm the stereo-types that Africa is known for in the West.”

And how do you do this when visiting rural areas without studios?

“I always carry my mobile studio with me: 2 microphones, an amplifier, laptop, soundcard, my MPC (Music Production Centre) and headphones. With those appliances I can record anything, anywhere, anytime. To be honest, we had to use my mobile set-up in Tanzania because P-Funk’s studio equipment failed all the time.”

What do you hope to get out of the concerts in South Africa and Swaziland?

I hope that, just like last time, we get back the same positive and joyful vibe we give to the people. It’s completely insane when somebody asks you to sign their leather jacket because they love Marley’s music; we’re not him! But we love it in Africa and of course hope that we are invited to come back. Hopefully next time also in Cape Town!

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Romani ite domum

“Do you posses the Italian style?” the new Peroni commercial asks their South African viewer. Well, visiting the capital of Italy, the city that once was the capital of the Roman Empire, will do the trick. Rome offers entertainment which exhibits the Ancient World as well as embracing modern technology. The city also houses the smallest nation in the world within its city limits: Vatican City. Discover Rome in just four days, a long weekend or mid-week, and be sure to take the Italian style home with you.

“Prego”, it sounds when the waiter puts your plate of spaghetti on the table. Combined with a real cappuccino, which means the cube of sugar slowly sinks through the milk foam, there is no better way to catch the sense of the city then to sit on a wooden chair on one of Rome’s many squares; all equipped with a fountain. Ordering a mascarpone or tiramisu is on Piazza Navona not a bad idea: the beautiful water splashes of the Fontana del Nettuno can keep you entertained for hours. The fact that the barista of the coffee shop at Campo di Fiori doesn’t speak Italian is because that’s the tourist trap. Very different from the old, grey hunchback who serves you at the Piazza Santa Maria in the old neighborhood Trastevere. The man, with a ‘singing’ voice most Italians posses, is just as authentic as the square itself, opposite one of Rome’s oldest churches.

There is a well-known saying about Rome: ‘When in Rome… do as the Romans do.’ So, if over 2, 7 million residents of Rome still care for their historical heritage (something every tourist should do as well) and cherish their many ancient architectural must-see monuments, why shouldn’t you? To do so, plan you day: if it’s a rainy day, start at the Vatican, if it’s warm, go outside. Gasp at the largest amphitheater ever built in the Roman Empire – the Colosseum – and landmarks like Castel Sant’Angelo, the Spanish Steps, Forum Romanum and the enormous monument of Vittorio Emanuele II, ‘King of Italy’. Using the city´s excellent metro system all of these monuments of time are within fifteen minutes reach of each other.

Vatican City, the location of the Pope’s residence, covers only 44ha and has a population of around 800, which makes it the smallest independent state in the world by both population and area. In summer this is very good noticeable; the queues to enter the three most touristic places to visit, St. Peter’s Square, St. Peter’s Basilica and the Vatican museums, are enormous. Entering the basilica from the square gives you a magnificent sight of the wealth of the Catholic Church; staring at the obelisk from the Circus of Nero you can see the gold platen inside the basilica. Its overwhelming beauty and exaggerated use of gold and marble make it an overdone and almost surreal church, but at the same time every piece of art inside is beautiful and hardly affect by the test of time.

Where the St. Peter’s Basilica is king, the Vatican Museum – which you don’t want to visit on the last Sunday of the month, because then it’s free and overcrowded – is the ace in the pack. You’re neck will start to hurt from watching the overflow of paintings, statues, carpets and ceilings, which also makes it hard to really enjoy them in one visit. Once you finally, after what feels like a kilometers long walk, arrive at the most famous ceiling (silence required) of the Vatican Museums, the Sistine Chapel, you won’t even be surprised by its beautiful decoration any more. Even though frescoed by the greatest Renaissance artists such as Michelangelo and Raphael, you’re eyes have seen enough art for one day and only ´God creates Adam´ will make you look. Even though your neck, eyes and feet are most certainly tired after a day in Vatican City, you can’t leave without climbing the 470 stairs (or take the elevator) up the dome of the basilica. Hit the top at a sunny moment and you will get the best view over the city, guaranteed.

When the next day the rain gives Rome his extra romantic flavor, couples walking together under the same umbrella and a grandfather laying his coat over a puddle for his wife, the lights of the main shopping street Via del Corso while lure you. Next to the small boutiques with exclusive one-off’s, you will have the opportunity to shop in one of the big shopping malls and buy Italian designer clothing directly from the factory. A must for anybody wanting to posses the Italian style. Shopping, looking smart and dressing well is part of the Italian way of life and should therefore be experienced that way: ‘piano, piano’ (slowly, slowly) instead of ‘prego, prego’ (hurry up, hurry up). Using the unbeatable metro system, one of Rome’s most famous buildings is reached before lunch: the Colosseum.

Arriving at the Colosseum shall give you a weird feeling; in the centre of a four-lane road and right next to the metro station stands this colossal amphitheater – dating back almost two thousand years  – as a sign of the survival of ancient times. As the sun shines through its façade, you won’t be surprised that most of the tourists take pictures from the outside: it’s more overwhelming and magnificent than the inside, showing you the contrast between the ancient and modern Rome. Unless you take the boring and time-wasting guided tour, this monument of time doesn’t take your whole afternoon to look at and that gives you the chance (with the same entrance ticket) to visit the beautiful garden of the Palantine and the gigantic Forum Romanum. This central area around which ancient Rome developed is supposed to give you an idea of the grandeur this ‘eternal’ city once had. What’s left is an unorganized, unsorted ruin; torn apart buildings together with stones and bricks lying around make this make this monument look more like an ancient battleground.

Once you get out of the Forum Romanum, the monument of Vittorio Emanuele II can’t be missed; often regarded as too large and pompous, the 70m high and 125m wide building is built of pure white marble and has a huge equestrian sculpture of ‘The King’ himself riding on quadrigas. The over-the-top version of over-the-top. You can best enjoy the cup of take-away coffee on the steps of the monument; a seat at the coffee shop would make your cup twice as expensive. From the steps you can behold the maniac scooter ‘pilots’ in traffic. No matter the age or gender, fear is no issue. Opposite to the folly monument, which houses the flame of the unknown soldier, there is also the balcony overlooking the traffic square from where ‘Il Duce’ (former dictator Benito Mussolini) made his famous Fascist speech in which he launched the National Fascist Party. A square with a history, which can be felt by the presence of the real Romans and there cultural heritage.

The attractive aspect of Rome is that, when you’ve seen these landmarks in the first two days, there is a still lot more to see just by walking through the city centre. Don’t forget the Pantheon, the largest dome in Rome where the remains of Raphaël and Vittorio Emanuele II lay and Castel Sant’Angelo, an old mausoleum used as a fortress, which now serves as a museum. Standing on top, the overwhelming view of thousands of passing cars, bikes and people, will amaze you. It also includes the St. Peter Basilica, the Tiber (Rome’s main watercourse) and the big ‘via’ (street) which Mussolini built right through the city so that he could ride to the Pope in style. All is one bird-eye’s view.

Within the same walking distance, the neighborhood Quirinale will surprise you with its many fountains, churches, its rich assortment of flora and fauna and not to forget, the Quirinal Palace: the official residence of the President of the Italian Republic, Giorgio Napolitano. From there on out Villa Borghese, a magnificent park with many Roman statues in the naturalistic English manner, can be used for an afternoon stroll or – for the sporty types among us – to go running, skating or cycling. Coming out of the park, the famous Trevi Fountain, the most ambitious of the Baroque fountains in Rome, can be easily visited while passing by Piazza del Popolo. A traditional legend holds that if visitors throw a coin into the largest – standing 25.9 meters high and 19.8 meters wide – fountain of Rome, they are ensured to return.

What will stay in Rome forever, are the bones of over 4,000 Capuchin monks hanging in the Capuchin Crypt beneath the Santa Maria della Concezione dei Cappuccini church, near Piazza Barberini. Not for the fainthearted, this small crypt consists of one narrow walkway past six tiny chapels where the bones of the monks who died between 1528 and 1870 are nailed to the walls in intricate patterns, hang on the ceiling as (working) light fixtures or display an event like Jesus raising Lazarus from the dead, framed by various parts of the human skeleton. If you didn’t get noxious already, the last chapel holds a ‘nice’ message: “What you are now we used to be, what we are now you will be.” Fifteen minutes after you entered, you will think completely different about your own body.

Overall Rome is a big and multifunctional city and although the city drowns in its own ‘old Roman refuge’ and squares with fountains, every building or monument has some grandeur hanging over itself. Because Rome is a ‘walking city’, a foreigner fortunately doesn’t have to mingle in the horrible unorganized traffic, but therefore has to deal with the people on the street, who can be harsh and unfriendly sometimes. If you just keep an eye out for the many ‘tourist traps’ near the landmarks and enjoy Rome as the Romans do, the city is a great place to visit for a couple of days. And don’t forget to throw that coin in the fountain, because it’s a city worth visiting twice.

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Violence, gore and swearing: it’s an art

With Quentin Tarantino’s latest release Deathproof now in cinema’s, he brought a homage to the old grind house movies of the 1970s. Though it was first released as a double feature with Robert Rodriguez’s Planet Terror, it again is a real Tarantino movie: violence, gore and strong language are the main ingredients. And of course the filmmaker’s infamous jibber-jabber comes standard.

Most foreigners who know anything about the Dutch marijuana policy, learned that from the following description: “Yeah, it’s legal, but it ain’t a hundred percent legal. I mean, you can’t walk into a restaurant, roll a joint and start puffin’ away. You’re only supposed to smoke in your home or certain designated places. It breaks down like this: it’s legal to buy it, it’s legal to own it, and, if you’re the proprietor of a hash bar, it’s legal to sell it. It’s legal to carry it, but that doesn’t really matter ’cause – get a load of this – if you get stopped by the cops in amsterdam, it’s illegal for them to search you.” It’s a typical Tarantino dialogue which made his movie Pulp Fiction (1994) such a big success. Winning a ‘Palme D’Or’ during the Cannes Film Festival in France for this gangster movie made it his magnum opus, but the Tarantino show already started two years earlier.

In 1992, the Unites States born, 44 year old film director released his debut Resevoir Dogs, which instantly became an independent film classic. The movie about a botched jewel heist contained lots of blood gushing around, even more swearing and cynical dialogues, which soon became the trademark for Tarantino movies. He repeated this gag with Pulp Fiction: killing, drug abuse and even rape, but the audience loved it, making Tarantino into some sort of cult legend. Although his third big success Jackie Brown (1997), in which Pam Grier plays the title role, had much of the violence and profanity happening off screen, the movie was obviously rated R. It was this homage to blaxploitation movies, about an airline flight attendant who gets coerced by the cops to help them bring down an arms smuggler, in which Tarantino really got the jibber-jabber level to a new high.

After a long and for his fans killing silence surrounding their movie making hero, QT announced the coming of an epic-length revenge drama: Kill Bill (2003). It took him six years, but now the old and the new fans had the change to once again watch an over-the-top violent movie which included homage’s to earlier film genres, such as martial arts/samurai movies and spaghetti westerns. And this time in two volumes, with a running time of nearly four hours. Kill Bill Vol. 2 released in the spring of 2004, having let everybody wait for half a year so see how the movie ended. Yet it wouldn’t be the last time Tarantino would build up the tension concerning a double feature.

Together with his friend and fellow director Robert Rodriguez, Tarantino co-written, produced and directed the 2007 anthology film Grindhouse. Originally, like the movie was released in the Unites States, Grindhouse consisted of two feature-length segments: Planet Terror by Rodriguez and Death Proof by Tarantino. Next to the two ninety minute movies, the audience could also enjoy fictional trailers for upcoming attractions, advertisements and in-theater announcements. But everywhere else in the world, as an effect of the poor ticket sales, the movies were released separate in extended version. In reaction, Tarantino denied this reason, by stating: “Especially if they were dealing with non-English language countries, they don’t really have this tradition (…) not only do they not really know what a grind house is, they don’t even have the double feature tradition.”

So now we have Death Proof, released the 22th of Februari, running in cinemas. Telling the story about a psychopathic stuntman (played by Kurt Russel) who targets young woman, murdering them with his ‘death proof’ stunt car, the film is a tribute to the slasher film/serial killer genre. Tarantino, some critics think he has a ‘sick’ mind, came up with the story from his fascination for the way stuntmen would ‘death proof’ their cars. As long as they were driving, stuntmen could slam their cars headfirst into a brick wall at 100 km/h and survive. Stuntman Mike (Russel) proves that his 1970 Chevy Nova really is ‘death proof’ by sadistically killing five innocent women, self only suffering minor injuries. If Stuntman Mike himself is ‘death proof’, you need to find out yourself. But I can tell you that Tarantino isn’t satisfied with only the blood of five people…

If movies about gangsters or stuntman weren’t already bloody and violent enough, QT is now working on a war movie, called Inglorious Bastards, of which he finished the script just last year. Not being a remake, the movie is going to be more of a homage (again) to the Italian 1977 movie Quel maledetto treno blindato, in the United States known as Inglorious Bastards. If the movie will be produced, Michael Madsen (who also starred in Resevoir Dogs and Kill Bill) is expected to play a leading role in this movie about a band of U.S. soldiers facing death by firing squad for their misdeeds and who are given a chance to redeem themselves by heading into the perilous no-man’s lands of Nazi-occupied France on a suicide mission for the Allies.

In order to gap the time before the (expected) release of Inglorious Bastards, you can already enjoy the by 27 minutes extended version of Death Proof now and will only have to wait till the fourth of April for the release of Rodriguez’s Planet Terror. But only if you’re stomach can handle it.

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Surf talent in the making

When watching the swell break on Cape Town’s beaches this winter, you will see more surfers waiting for the perfect wave than contestants in Cape Town’s Got Talent. Among them, the De Castro brothers—20-year-old John and 19-year-old Noble—protégé’s of Gary Kleyhans , owner of Gary’s Surfschool in Muizenberg.

The De Castro brothers are not the only ones who grew from underprivileged schoolboys to professional surfers. For the past eight years former South African surfing champion Gary Kleynhans and his team of volunteers have provided kids from the poor townships around Cape Town with a chance to become professional surfers. At the South African Longboard Championships in April, six of Gary’s surfers made it into the competition.

“Everybody should be able to surf,” says Gary when he just comes out of the water, smiling after hitting some waves. “I’m more than willing to help those who can’t afford the board, wetsuit and lessons.” The open minded Gary tells the story behind his charity project, while joking with his staff of mainly foreign volunteers. “Some eight years ago a young black kid came to me in the shop, because he wanted to surf. Without money to buy, or even rent, the equipment, I made him a deal: If you come here every day to surf you can use everything you need from the shop, mahala. And so this 11-year-old kid, Kwezi Qika (19), came every day and look what has become of him: he’s the South African junior champion.” After that Gary, who always prefers the water to his desk, got the feeling he could make this kind of achievements with other kids as well.

“Every year I put an announcement on our website (www.garysurf.com) about how schools can sign up and then it’s just: first come, first served. This year we’ve got five classes, each with 10 to 15 kids per group, who visit us once a week for one hour of surf lessons. Even though the kids range very much in age – from 10 to 18 – they all enjoy the project very much. Within the past eight years, we only had two quitters”, says Gary proudly while laidback zipping on his cup of tea. “We teach the kids things like life and computer skills, discipline and respect and therefore ask commitment, dedication and motivation.” Although Gary is still passionate about surfing, he is not running a handout project. “Next to the opportunity to grow into surfing, we are also concerned with the many jobs the surfing industry offers. It’s a project with a view on the future. But the kids have to grab onto these chances themselves.”

“I fell in love with the waves”, John De Castro, born in Angola, explains, “that’s what attracted me to surf every day.” The friendly John, with a distinctive gap between his front teeth, began surfing some six years ago as a part of the Extreme Surfschool project. “Although I lived close to the ocean (he moved to Muizenberg in 1996), I never got the chance to get up on a surfboard and learn how to surf. But when I was 14, my school class entered the project Gary started and so I had an opportunity to catch a wave for the first time in my live.” John –tired- just finished a two hour surf session and together with his younger brother, who are both already teaching tourists and new township kids the skills of surfing through Gary’s school, explains what they’ve learned over the past years. “Surfing has kept me out of trouble, it showed me the rest of the world through competitions and I’ve met a whole lot of different people”, John explains. Noble elaborates: “We motivated and supported each other all the way. Everything in my life is connected to surfing and the project taught me how to run a business and how to be a responsible person.”

After six years Gary decided it was time to professionalise the Extreme Surfschool project. “At first we actually just operated under the flag of Gary’s Surfschool, but since two years the Extreme Surfschool is an independent NGO.” Until the Extreme Surfschool starts to make enough money, Gary needs to pay for it out of his own pocket. “If it was up to me I would let as much underprivileged kids surf as possible, but I’ve also got a surf school to run. Going broke doing charity isn’t the right way.” Therefore the cheerful Gary is making plans for the future and wants to sell the concept of the project abroad. “If we want to take the Extreme Surfschool to the next level, we need to have more funding so we can employ the kids who learned their skills here. That way we create job opportunities and make the project self sustainable and self growing. We need to look at the bigger picture of sport; not only as a physical, but also a mental stimulation”, he says while daydreaming away with the thought.

Two boys, 13-year-old Ourwin and the 14-year-old Wayne, both from the Lynedoch Primary School near Stellenbosch, just got their wetsuits on and with a board under their arm run towards the ocean. After an hour during lesson he screams: “The water is cold! But I will keep on training, it’s so much fun.” Ourwin agrees with him; for him all other sports are actually boring. “Surfing is so cool! It’s fun to be on the board in the water, catching a wave. I want to come more often, but it’s a pretty far drive and we can only go once a week”, says Ourwin.

The person who needs to drive them every week is Tracy Brooks, a volunteer from New Zealand who works for the Sustainability Institute Stellenbosch. The institute provides an approach to create a society that lives in a way that sustains the eco-system. Hence the choice to take part in a surf project; there are little sports who let the participants connect to nature like surfing and are still ‘cool’ enough for children.

Tracy saw an amazing growth within the children during the past five lessons. “Some of them couldn’t even swim last year”, she tells surprised, “and now they are really surfing.” She comes to the Extreme Surfschool every Wednesday with about ten kids, grade six to eleven. “When I called Gary in order to enter the project, he told me that we’re welcome on Wednesday’s. I thought he meant the vacation period, but he meant every Wednesday! Now we want to stay in the project for as long as possible.”

In the classroom in Stellenbosch, Tracy made a big board filled with pictures of activities the kids did over the year. Now, pictures of the kids standing on their surfboard for the first time are making it onto the board. Wayne giggles: “All the kids are jealous if they see a picture of somebody else standing on a surfboard.” A positive side-effect of a project which not only keeps these kids off the streets, but also gives them a shared goal for the future: to be a professional surfer. And at Gary and his volunteers of the Extreme Surfschool they are at the right address.

Unfortunately John ‘wiped-out’ during the last Longboard Championships and was therefore knocked out of the competition. His brother made it to the semi-finals for the fourth time in a row. “I’m a surf teacher now, but my dream is to earn my money with professional surfing through a sponsorship”, says John. Next to some ‘lessons in life’, he also tells the kids how to become a professional surfer. “The main thing is to stay focused. Personally, I live for the competitions, so I compete as much as possible. That way you can grow, just like with sitting on the beach watching the experts or watching surf movies.” Noble has a few point he wants to add: “Work hard, don’t play around and go for it!”

Surfing doesn’t have to be as expensive as you might think. The first time you will, of course, rent a wetsuit and a board. They are included in the price if you take an introduction lesson at Gary’s Surfschool, which will cost you R500 (adult) or R400 (child). He therefore gives you the guarantee on his website that ‘class duration is up till 2 hours long or until we get you up and riding’. After that you can either rent you equipment for R100 per day (wetsuit) and another R100 per day for the board. Buying that equipment (second hand) would set you back approximately R1500 to R2000, but of course you can make it as expensive as you want. “If you go surfing every weekend for at least two to three months”, Gary says, “then you will be ready for a follow-up lesson to learn advanced techniques and tricks.”

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